To say anything more about Barbarian’s plot would be to spoil a lot of the fun of it. The next day, however, Tess discovers a secret tunnel in the rental home’s basement, one that leads her straight into what can only be described as an absolute nightmare. Despite being initially (and understandably) hesitant about the idea, Tess agrees and later finds herself sharing a surprisingly enjoyable, flirtatious night with Keith. It doesn’t take long for Keith to offer to sleep on the house’s couch so that Tess can take its sole bedroom. When she knocks on the house’s door, Keith Toshko (Bill Skarsgård) answers and invites her inside, offering her a reprieve from the night’s rain while they come up with a solution for their problem. The film opens with Tess Marshall (Georgina Campbell) arriving in the middle of a rain-soaked night at a Detroit rental home only to discover that the place has been double-booked.
Like all great horror movies, Barbarian’s plot appears, at first, to be deceptively simple. To watch it is to get swept up not only in the dramatic stakes of the film’s story but also in the audacious, go-for-broke creative spirit at the center of it. In the case of Barbarian, though, the film’s commitment to delivering a genuinely unpredictable and tonally-challenging experience is what makes it so memorable. Uniqueness alone is, after all, not enough to save a movie that is otherwise coming apart at the seams. That kind of remark doesn’t always equal praise. More than anything else, Barbarian is unlike anything else you’ll see in a movie theater this year. When it’s at its best is when Barbarian feels like it is combining those influences to become a horror ride that is simultaneously absurd and terrifying.
The film, which marks writer-director Zach Cregger’s solo directorial debut, is a horror mash-up that seems in certain moments like a modern riff on The Texas Chain Saw Massacre and at other times like a loving homage to the kind of campy horror comedies that Sam Raimi has perfected. Fitbit Versa 3īarbarian is a true swing for the fences.
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